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Sigur Rós

Offscreen Approach
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To redesign a vinyl cover for the album Takk... by the Icelandic band Sigur Rós.
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Tools used:

Acrylics paint, Illustrator, Photoshop, Procreate

 

Concept work for a student project.

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Design Outcome

  • For someone who is new to the band to get excited about the music

  • To bring the vastness of Icelandic landscape in front of the listeners

  • Tone of voice: dreamy, magical, natural

Target Audience

People who are into Icelandic music with classical and minimal aesthetic elements.

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Behind-the-Scenes

Describing their music is difficult. The soothing falsetto vocals have a magic of their own. In the playlist where you have all the psychedelic and post rock songs, this band’s music fits in perfectly. Their compositions have a very beautiful amalgamation of all the instruments and the cumulative impact is better felt than explained.

When I listened to this album for the first time, I was really struck by the nostalgic sense of freedom - as if going back to the childhood and running up and down the mountains in my hometown. This is the feeling I want someone to feel when they lay their eyes on the cover of the album.

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One thing that really stuck in my mind when I first listened to their songs from a documentary about their homecoming tour, was this image of a variantly red kite flying against the cloudless blue sky, with the Icelandic plateau in the backdrop and that was where I got the inspiration from.

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Initially I was experimenting with the paper-cut route but in the end decided to use acrylics to paint the backdrop, and used real natural elements like twigs and flowers that I picked up from the neighbourhoods (spring was coming!) to bring out the 3D effect instead. The combination of painting which is a medium that I like to work with and real-life objects that I encountered while brainstorming for ideas for this project felt both personal and yet a part of the larger ongoing conversation with the mother nature. It is an invitation for the users to fill in the gaps themselves. 

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